1. Электронный научный архив УрФУ
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  3. Научные публикации ученых УрФУ, проиндексированные в SCOPUS и WoS CC
Please use this identifier to cite or link to this item: http://elar.urfu.ru/handle/10995/141497
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dc.contributor.authorBagina, E.en
dc.date.accessioned2025-02-25T10:47:13Z-
dc.date.available2025-02-25T10:47:13Z-
dc.date.issued2024-
dc.identifier.citationBagina, E. (2024). О неумирающем классицизме и ниспровергателях основ. Проект Байкал, (79), 96-103. https://doi.org/10.51461/issn.2309-3072/77.2294apa_pure
dc.identifier.issn2309-3072-
dc.identifier.issn2307-4485-
dc.identifier.otherFinal2
dc.identifier.otherAll Open Access; Gold Open Access3
dc.identifier.otherhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-85191560680&doi=10.51461%2fissn.2309-3072%2f77.2294&partnerID=40&md5=29451d37284baa8791cc76550dbcb6e71
dc.identifier.otherhttps://projectbaikal.com/index.php/pb/article/download/2294/2954pdf
dc.identifier.urihttp://elar.urfu.ru/handle/10995/141497-
dc.description.abstractDirections (styles) in culture have different reserves of strength and different inertia. Among them there is a unique one capable of revival. It is classicism, which is characterized by a timeless understanding of the laws of harmony and beauty based on the forms and images of ancient art of Greece and Rome. Classicist thinking and classicism did not leave European culture in the 20th and 21st centuries, but its forms changed. The grafting of art nouveau, avant-garde and postmodernism into classical art and architecture did not pass without a trace. Antagonists shook the established norms and left, while classical art and architecture expanded the range of creative possibilities and revived, preserving the basic principles. © 2024 Russian Academy of Architecture and Construction Sciences, Vostoksibacademcenter. All rights reserved.en
dc.format.mimetypeapplication/pdfen
dc.language.isoruen
dc.publisherRussian Academy of Architecture and Construction Sciences, Vostoksibacademcenteren
dc.rightsinfo:eu-repo/semantics/openAccessen
dc.rightscc-byother
dc.sourceпроект байкал2
dc.sourceProject Baikalen
dc.subjectCLASSICISMen
dc.subjectCLASSICIST THINKINGen
dc.subjectCLASSICSen
dc.subjectCONTEMPORARY ARTen
dc.subjectDIRECTIONS (STYLES)en
dc.subjectFUTURISMen
dc.subjectPOSTMODERNISMen
dc.titleOn undying classicism and subverters of foundations; [О неумирающем классицизме и ниспровергателях основ]en
dc.typeArticleen
dc.typeinfo:eu-repo/semantics/articleen
dc.typeinfo:eu-repo/semantics/publishedVersionen
dc.identifier.rsi67303651-
dc.identifier.doi10.51461/issn.2309-3072/77.2294-
dc.identifier.scopus85191560680-
local.contributor.employeeBagina E., Ural Federal University named after B. N. Yeltsin, Yekaterinburg, Russian Federationen
local.description.firstpage96
local.description.lastpage103
local.issue79-
local.contributor.departmentUral Federal University named after B. N. Yeltsin, Yekaterinburg, Russian Federationen
local.identifier.pure56651273-
local.identifier.eid2-s2.0-85191560680-
local.fund.rsfUral Federal University cluster; 19-72-10033)
local.fund.rsfThe research was supported by the Russian Science Foundation (project 19-72-10033). Computer simulations were performed at the Vienna Scientific Cluster and the Ural Federal University cluster.
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