Please use this identifier to cite or link to this item: http://elar.urfu.ru/handle/10995/118119
Title: The Concept of Self-Sacrifice in the Philosophy of Andrei Tarkovsky's Work
Authors: Kirillova, N. B.
Issue Date: 2022
Publisher: Aesthetics Media Services
Citation: Kirillova N. B. The Concept of Self-Sacrifice in the Philosophy of Andrei Tarkovsky's Work / N. B. Kirillova // Rupkatha Journal on Interdisciplinary Studies in Humanities. — 2022. — Vol. 14. — Iss. 2.
Abstract: The article analyzes the fundamentals of the moral philosophy of Andrei Tarkovsky, a unique Russian film director, thinker, and art theorist whose films are recognized as masterpieces of screen culture along with the works of M. Antonioni, I. Bergman, L. Buñuel, L. Visconti, A. Kurosawa, F. Truffaut, F. Fellini, S. Eisenstein, and others. The subject under study is the concept of self-sacrifice in the works of Tarkovsky as a distinctive "code" of his spiritual heritage. Creating his own original artistic world, Tarkovsky dwelled upon such vital philosophical categories as "life and death", "faith and faithlessness", "man's spiritual existence", "problems of conscience", "self-sacrifice", etc. This is evidenced not only by his screen works, but also by archives, diaries, and theoretical works, based on which the author provides an interpretation of the philosophy of Andrei Tarkovsky's work focusing on the concept of self-sacrifice and the specifics of its artistic interpretation © 2022 Aesthetics Media Services. All rights reserved.
Keywords: ARCHETYPAL IMAGE
HUMAN SPIRITUAL EXISTENCE
PHILOSOPHY OF CREATIVITY
SCREEN CULTURE
TARKOVSKY
THE CONCEPT OF SELF-SACRIFICE
URI: http://elar.urfu.ru/handle/10995/118119
Access: info:eu-repo/semantics/openAccess
SCOPUS ID: 85134759765
WOS ID: 000844063600005
PURE ID: 30716075
ISSN: 9752935
DOI: 10.21659/rupkatha.v14n2.07
Appears in Collections:Научные публикации ученых УрФУ, проиндексированные в SCOPUS и WoS CC

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