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dc.contributor.authorSafina, A.en
dc.contributor.authorGaynullina, L.en
dc.contributor.authorCherepanova, E.en
dc.date.accessioned2020-09-29T09:46:36Z-
dc.date.available2020-09-29T09:46:36Z-
dc.date.issued2020-
dc.identifier.citationSafina, A. Work of art in the space of network culture: Creativity as bricolage / A. Safina, L. Gaynullina, E. Cherepanova. — DOI 10.3846/cs.2020.12264 // Creativity Studies. — 2020. — Vol. 2. — Iss. 13. — P. 257-269.en
dc.identifier.issn2345-0479-
dc.identifier.otherhttps://journals.vgtu.lt/index.php/CS/article/download/12264/9833pdf
dc.identifier.other1good_DOI
dc.identifier.other9734f32c-1330-4424-8d9f-1c290f92e80epure_uuid
dc.identifier.otherhttp://www.scopus.com/inward/record.url?partnerID=8YFLogxK&scp=85084665945m
dc.identifier.urihttp://elar.urfu.ru/handle/10995/90246-
dc.description.abstractThe development of modern informational-communication technologies has led to the occurrence of the new unique sociocultural phenomenon – a network culture, with irony as the dominating rhetoric. In the space of network culture, under digital technologies, the forms, types, and functions of art, and creativity in general, change. The paper states that communication becomes the main function of art, while a work of art more and more becomes an object of communication. The authors propose to broaden the volume of creativity conception, going beyond the classical interpretation towards a broader understanding of this phenomenon, namely, creativity as bricolage. The methodological basis of the bricolage model of creativity, relevant for the new media art, is the concept of “bricolage” developed by Claude Lévi-Strauss. © 2020 The Author(s). Published by VGTU Press.en
dc.description.sponsorshipThe film distribution confirms this point of view. By the 2019 data, the film Matilda became the most unprofitable film supported by the Cinema Foundation of Russia: “Matilda’s losses became a sort of a record – 550 million rubles” (Zhitkova, 2018).en
dc.format.mimetypeapplication/pdfen
dc.language.isoenen
dc.publisherVilnius Gediminas Technical Universityen
dc.rightsinfo:eu-repo/semantics/openAccessen
dc.rightscc-byother
dc.sourceCreativity Studiesen
dc.subjectBRICOLAGEen
dc.subjectCOMMUNICATIONen
dc.subjectCREATIONen
dc.subjectIRONYen
dc.subjectNETWORK CULTUREen
dc.subjectNEW MEDIA ARTen
dc.titleWork of art in the space of network culture: Creativity as bricolageen
dc.typeArticleen
dc.typeinfo:eu-repo/semantics/articleen
dc.typeinfo:eu-repo/semantics/publishedVersionen
dc.identifier.doi10.3846/cs.2020.12264-
dc.identifier.scopus85084665945-
local.affiliationDepartment of History and Philosophy, Kazan State University of Architecture and Engineering, Zelenaya str. 1, Kazan, 420043, Russian Federationen
local.affiliationDepartment of History of Philosophy, Philosophical Anthropology, Aesthetics and Theory of Culture, Ural Federal University, Mira str. 19, Ekaterinburg, 620002, Russian Federationen
local.contributor.employeeSafina, A., Department of History and Philosophy, Kazan State University of Architecture and Engineering, Zelenaya str. 1, Kazan, 420043, Russian Federationru
local.contributor.employeeGaynullina, L., Department of History and Philosophy, Kazan State University of Architecture and Engineering, Zelenaya str. 1, Kazan, 420043, Russian Federationru
local.contributor.employeeCherepanova, E., Department of History of Philosophy, Philosophical Anthropology, Aesthetics and Theory of Culture, Ural Federal University, Mira str. 19, Ekaterinburg, 620002, Russian Federationru
local.description.firstpage257-
local.description.lastpage269-
local.issue13-
local.volume2-
local.identifier.pure12917030-
local.identifier.eid2-s2.0-85084665945-
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