Please use this identifier to cite or link to this item: http://hdl.handle.net/10995/82945
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dc.contributor.authorNemchenko, L.en
dc.date.accessioned2020-05-27T09:02:25Z-
dc.date.available2020-05-27T09:02:25Z-
dc.date.issued2018-
dc.identifier.citationNemchenko L. Montage as the Meaning-generative Principle of Avant-garde: From Montage in Cinema to Montage in Theatre (Soviet and Post-Soviet Theatre and Cinema) / L. Nemchenko // Convention 2017 “Modernization and Multiple Modernities” (ISPS Convention 2017) (Ekaterinburg, Russia, 28–29 April, 2017). – Dubai : Knowledge E, 2018. – KnE Social Sciences, 3 (7). – pp. 114-131. – DOI 10.18502/kss.v3i7.2469en
dc.identifier.issn2518-668X-
dc.identifier.urihttp://hdl.handle.net/10995/82945-
dc.description.abstractThe principle of montage was a discovery of the avant-garde that is still widely used in modern culture. The article discusses how montage from a technique applied in early cinematography came to play a crucial role in organization of various texts produced by different arts, in particular, theatre. The avant-garde art strove to transform daily life and the montage principle was inextricably linked to these value orientations. This research analyzes the potential of montage as a meaning-generative mechanism in avant-garde films and theatre performances in the 1920s and 1930s. This principle gained significance for theatre in the second half of the twentieth and the early twenty-first century. The article investigates the connections between Soviet avant-garde theatre and cinema and explores the reasons why the interest to the montage principle was revived in Yury Lubimov's theatre and in the post-dramatic theatre of Dmitry Krymov.en
dc.format.mimetypeapplication/pdfen
dc.language.isoenen
dc.publisherKnowledge Een
dc.relation.ispartofConvention 2017 “Modernization and Multiple Modernities” (ISPS Convention 2017). — Ekaterinburg, 2018en
dc.rightsCreative Commons Attribution Licenseen
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/-
dc.subjectAVANT-GARDEen
dc.subjectMONTAGEen
dc.subjectPOSTDRAMAen
dc.subjectDZIGA VERTOVen
dc.subjectVSEVOLOD MEYERHOLDen
dc.subjectDMITRY KRYMOVen
dc.subjectYURY LUBIMOVen
dc.subjectSERGEY EISENSTEINen
dc.titleMontage as the Meaning-generative Principle of Avant-garde: From Montage in Cinema to Montage in Theatre (Soviet and Post-Soviet Theatre and Cinema)en
dc.typeConference Paperen
dc.typeinfo:eu-repo/semantics/conferenceObjecten
dc.typeinfo:eu-repo/semantics/publishedVersionen
dc.conference.nameConvention 2017 “Modernization and Multiple Modernities” (ISPS Convention 2017)en
dc.conference.date28.04.2017-29.04.2017-
dc.identifier.doi10.18502/kss.v3i7.2469-
local.description.firstpage114-
local.description.lastpage131-
dc.identifier.wosWOS:000450628500008-
Appears in Collections:Междисциплинарные конференции, семинары, сборники

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