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dc.contributor.authorPiskunova, L.en
dc.contributor.authorStarostova, L.en
dc.contributor.authorYankov, I.en
dc.date.accessioned2019-07-22T06:43:57Z-
dc.date.available2019-07-22T06:43:57Z-
dc.date.issued2018-
dc.identifier.citationPiskunova L. The architecture of constructivism: The creative transformation of aesthetic codes and narratives / L. Piskunova, L. Starostova, I. Yankov // Creativity Studies. — 2018. — Vol. 11. — Iss. 1. — P. 56-69.en
dc.identifier.issn2345-0479-
dc.identifier.otherhttps://journals.vgtu.lt/index.php/CS/article/download/540/390pdf
dc.identifier.other1good_DOI
dc.identifier.other04b35c52-14be-4fe9-8de4-cd8fc16ba384pure_uuid
dc.identifier.otherhttp://www.scopus.com/inward/record.url?partnerID=8YFLogxK&scp=85055051924m
dc.identifier.urihttp://elar.urfu.ru/handle/10995/75112-
dc.description.abstractThe architecture of constructivism (functionalism) has a kind of symbolic meaning associated with the modernist project. The authors conducted a study of the architectural avant-garde of Sverdlovsk, Russia which showed that the weak perception of the historical and cultural importance of constructivist buildings and complexes is associated not only with the lack of the people awareness and creativity, but also with the underestimation of their aesthetic value. Meanwhile, the study of space-planning solutions for specific architectural projects reveals really conceptual aesthetics of the buildings. In addition, the study of the social history of constructivist architectural complexes, conducted by the authors, helped us to identify and articulate their cultural and historical significance and to highlight in a creative way the visual perception of these architectural reference markers in the space of the city. The authors also rely on their own experience of the exhibition, publication and sightseeing activities. The analysis of this experience allows the authors to draw some conclusions about the practice of developing and shifting the visual perception of constructivist monuments by the people. The originality of the presented approach to the study of architecture is an appeal to the social history of architecture which helps to enhance its aesthetic value. Copyright © 2018 The Author(s). Published by VGTU Pr.en
dc.format.mimetypeapplication/pdfen
dc.language.isoenen
dc.publisherVilnius Gediminas Technical Universityen
dc.rightsinfo:eu-repo/semantics/openAccessen
dc.sourceCreativity Studiesen
dc.subjectAESTHETIC CODEen
dc.subjectAVANT-GARDE ARCHITECTUREen
dc.subjectCITYen
dc.subjectCONSTRUCTIVISMen
dc.subjectNARRATIVEen
dc.subjectSOCIAL EXPERIENCEen
dc.titleThe architecture of constructivism: The creative transformation of aesthetic codes and narrativesen
dc.typeArticleen
dc.typeinfo:eu-repo/semantics/articleen
dc.typeinfo:eu-repo/semantics/publishedVersionen
dc.identifier.rsi38617621-
dc.identifier.doi10.3846/cs.2018.540-
dc.identifier.scopus85055051924-
local.affiliationInstitute of Social and Political Sciences, Ural Federal University, Lenina str. 51, Yekaterinburg, 620000, Russian Federationen
local.affiliationInstitute of Public Administration and Entrepreneurship, Ural Federal University, Lenina str. 13b, Yekaterinburg, 620014, Russian Federationen
local.contributor.employeeПискунова Лариса Петровнаru
local.contributor.employeeСтаростова Людмила Эдуардовнаru
local.description.firstpage56-
local.description.lastpage69-
local.issue1-
local.volume11-
local.identifier.pure8172266-
local.identifier.eid2-s2.0-85055051924-
Располагается в коллекциях:Научные публикации ученых УрФУ, проиндексированные в SCOPUS и WoS CC

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