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http://elar.urfu.ru/handle/10995/103079
Название: | Amok, parrots and a magic tree: The world of nusantara as described by a 15th century venetian merchant Амок, попугаи и волшебное дерево: мир Нусантары в описании венецианского купца XV в. |
Авторы: | Vozchikov, D. V. |
Дата публикации: | 2019 |
Издатель: | Peter the Great Museum of Anthropology and Ethnography (Kunstkamera), Russian Academy of Sciences |
Библиографическое описание: | Vozchikov D. V. Amok, parrots and a magic tree: The world of nusantara as described by a 15th century venetian merchant / D. V. Vozchikov. — DOI 10.31250/2618-8600-2019-1(3)-73-98 // Etnografia. — 2019. — Vol. 2019. — Iss. 1. — P. 73-98. |
Аннотация: | This article observes the imagery of Nusantara in the report of Nicolò Conti (ca. 1395–1469) a Venetian traveller and merchant of the first half of the 15th century. The mer-chant’s itinerary contains a brief description of the Malay-Indonesian world — a product of a dialogue between a merchant himself and a humanist Poggio Bracciolini. Conti reported about his visits to Sumatra, “two Javas” (probably, Java and Borneo or Java and Southern Sumatra) and Champa. The merchant perceived Nusantara mainly as a region of violence and unbridled morals, he described a scene of amuk in details. This traveller also paid particular attention to the valuable merchandise of the region: spices and exotic plants and animals, including the Moluccan parrots. However, Conti’s account lacks any mentions of the states, rulers or palaces in the Malay-Indonesian region. This distinguishes his account from many other sources on Nusantara (Chinese and Muslim ones). Conti’s silence about the political entities or kings of Nusantara makes localization or identifying of some certain features of the region rather diffi-cult. Conti’s lack of attention to the religious practices of Nusantara contrast with his deep attention the Hindu traditions of the South Asia. The understanding of Conti’s specific social milieu can explain the reasons of his silence about such important issues. In general, Conti’s image of Nusantara is mainly an extreme confine of the world, marked with notable but terrifying features. © 2019, Peter the Great Museum of Anthropology and Ethnography (Kunstkamera), Russian Academy of Sciences. All rights reserved. |
Ключевые слова: | JAVA MA HUAN MAJAPAHIT MEDIEVAL VOY-AGES NICOLÒ CONTI NUSANTARA ORIENTALISM SUMATRA THE REPUBLIC OF VENICE |
URI: | http://elar.urfu.ru/handle/10995/103079 |
Условия доступа: | info:eu-repo/semantics/openAccess |
Идентификатор РИНЦ: | 37605570 |
Идентификатор SCOPUS: | 85101212581 |
Идентификатор PURE: | 20453039 95915f11-0d25-4eb0-bfd3-e85ce0c13e43 |
ISSN: | 26188600 |
DOI: | 10.31250/2618-8600-2019-1(3)-73-98 |
Располагается в коллекциях: | Научные публикации ученых УрФУ, проиндексированные в SCOPUS и WoS CC |
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Файл | Описание | Размер | Формат | |
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2-s2.0-85101212581.pdf | 488,58 kB | Adobe PDF | Просмотреть/Открыть |
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